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User: MaryDeWay

My Chemical Romance - Our Lady of Sorrows One new Karaoke of the song Our Lady of Sorrows to album number one the my chemical romance ;D Un nuevo karaoke de la cancion Our Lady of sorrows del primer album de my chemical romance ;D Tags: my chemical romance our lady of sorrows

User: cutiejudy

Trading My Sorrows - Darrell Evans hope you like Tags: trading my sorrows darrell evans god lord jesus

User: fagnerpc

MY CHEMICAL ROMANCE - Our Lady of Sorrows (LOTMS Version) Our Lady of Sorrows, versão do DVD "Life on the Murder Scene" Visitem: http://www.mychemicalrevenge.com.br Lá vc encontrará mais vídeos e muitas informações e news sobre o My Chemical Romance!! Visitem: http://www.mychemicalrevenge.com.br Download deste video: http://www.4shared.com/file/5750961/82b903d7/My_Chemical_Romance_-_Our_Lady_Of_Sorrows__lotms_version_.html Tags: my chemical romance life on the murder scene lotms our lady of sorrows

User: KingdomKidStudios

Trading My Sorrows GCC's Kingdom Kid Studios production of the song "Trading My Sorrows" Note: No children were injured in the filming of this video.The music came from www.unclecharlie.com - They provide kid's worship resources. Tags: Trading Sorrows Kingdom Kid Studios Music GCC

User: IrethAlcarin

Bruce Dickinson - Man Of Sorrows Man Of Sorrows is on Bruce Dickinson's album Accident of Birth. I've added some images of nature... but images and music don't correspond, they are just a pretext to put this song here. Tags: Bruce Dickinson Man Of Sorrows Iron Maiden

User: BCBband

Man of Constant Sorrows BCB Band sings Man of Constant Sorrows a song made famous by the movie O' Brother Where Art Thou. "Man of Constant Sorrow" is a traditional American folk song first performed by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally recorded by Burnett as "Farewell Song" printed in a Richard Burnett songbook, c. 1913. An early version was recorded by Emry Arthur in 1928. There is some uncertainty whether Dick Burnett himself wrote the song. In an interview he gave toward the end of his life Burnett himself indicated that he could not remember: CHARLES WOLFE: What about this "Farewell Song" -- "I am a man of constant sorrow" -- did you write it?' RICHARD BURNETT: No, I think I got the ballet [sic (ballad)] from somebody -- I dunno. It may be my song...[1] If Burnett wrote the song, we can date the writing of the song, or perhaps the editing of certain lyrics by Burnett, to about 1913. Since we know Burnett was born in 1883, married in 1905, and blinded in 1907, we can date two of these texts on the basis of internal evidence. The second stanza of "Farewell Song" mentions the singer has been blind six years, which would date it at 1913. According to the Country Music Annual, Burdett "probably tailored a prexisting song to fit his blindness" and may have adapted a hymn. Charles Wolfe argues that "Burdett probably based his melody on an old baptist hymn called Wandering Boy"[2]During 1918, Cecil Sharp collected the song and published it as "In Old Virginny" (Sharp II, 233). Sarah Ogan Gunning's recomposition of the traditional "Man" into a more personal "Girl" took place about 1936 in New York, where her first husband, Andrew Ogan, was fatally ill. The text was descriptive of loneliness away from home and anticipated her bereavement; the melody she remembered from a 78 rpm hillbilly record (Emry Arthur, probably Vocalion Vo 5208, 1928) she had heard some years before in the mountains. Recordings and cover versions The song was first made famous by the Stanley Brothers. It appears on Bob Dylan's 1962 eponymous debut album and Dylan performed the song during his first national television appearance in 1963. Recorded by Waylon Jennings on his 1966 major-label debut Folk-Country. In their 1962 self-titled debut album Peter, Paul and Mary recorded another version as "Sorrow." Judy Collins's 1961 debut album, Maid of Constant Sorrow, took its name from a variant of the song that was performed on the album. Rod Stewart performed the song on his debut solo album in 1969. It was also recorded by Ginger Baker's Air Force on their eponymous debut album in 1970, sung by Air Force guitarist and vocalist (and former Moody Blues, future Wings member) Denny Laine. The band used the same melody, and for the most part the same lyrics (but substituted 'Birmingham' for 'Colorado'). The arrangement differed, though, as this was a loosely improvised live version, with violin and saxophones, that stays very much in the major scales of A, D and E, unlike its future bluesier brethren. It was the only band single; it charted #36 on the U.S. country charts and #86 in UK. "Man of Constant Sorrow" was one of many songs recorded by Jerry Garcia, David Grisman, and Tony Rice one weekend in February of 1993. Jerry's taped copy of the session was later stolen by his pizza delivery man, eventually became an underground classic, and finally edited and released in 2000.[3] The "Soggy Bottom Boys" singing Man of Constant Sorrow in O Brother, Where Art Thou?The song appears in the 2000 film O Brother, Where Art Thou?, under the title "I Am a Man of Constant Sorrow." Performed by the fictitious Soggy Bottom Boys in the movie, it was recorded by Dan Tyminski, Harley Allen, and Pat Enright. It was a hit in the movie for the Soggy Bottom Boys and later became a hit single in real life. It received a CMA for "Single of the Year" and a Grammy for "Best Country Collaboration with Vocals" and it peaked at #35 on Billboard's Hot Country Songs chart. Dan Tyminski performed this song at the Crossroads Guitar Festival with Ron Block and live with Alison Krauss & Union Station. The versions by Dylan and Soggy Bottom Boys use somewhat different arrangements and while the lyrics have many similarities, they are by no means identical. The Soggy Bottom Boys said goodbye to "old Kentucky," as the original versions do, while in Dylan's version the singer said goodbye to "Colorado." Tags: BCB Band Oklahoma City

User: ChallengingMedia

Hijacking Catastrophe: Sorrows of Empire pt. 1 (6 of 10) http://www.HIJACKINGCATASTROPHE.org "By helping us understand how fear is being actively cultivated and manipulated by the current administration, Hijacking Catastrophe stands to become an explosive and empowering information weapon in this decisive year in U.S. history." Naomi Klein | Author, No Logo "The Media Education Foundation has been carrying out vitally important work on major issues of the day, in a highly meritorious effort to raise public awareness and understanding, work that is particularly crucial in advance of the coming election, which may well cast a long shadow over the country's future." Noam Chomsky | Professor of Linguistics, MIT "The next Presidential election will be a watershed mark in our history and the urgency of producing and distributing materials that show exactly what is at stake has never been higher. Hijacking Catastrophe will be a vital tool in the campaign to rescue American democracy from its internal enemies. It will enrage and empower as it enlightens and explains." Robert McChesney | Author, Rich Media, Poor Democracy �What it really comes down to is this: Are the American voters going to sit still for this? Are we going to treat our democracy like some sort of spectator sport, like watching the Super Bowl, or are we going to ask a little more of ourselves this time? Are we going to explore the Bush Administration�s claims? Are we going to look at the details of what this administration has actually done?� William Hartung | Senior Fellow, World Policy Institute The 9/11 terror attacks continue to send shock waves through the American political system. Continuing fears about American vulnerability alternate with images of American military prowess and patriotic bravado in a transformed media landscape charged with emotion and starved for information. The result is that we have had little detailed debate about the radical turn US policy has taken since 9/11. Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire examines how a radical fringe of the Republican Party has used the trauma of the 9/11 terror attacks to advance a pre-existing agenda to radically transform American foreign policy while rolling back civil liberties and social programs at home. The documentary places the Bush Administration's false justifications for war in Iraq within the larger context of a two-decade struggle by neoconservatives to dramatically increase military spending in the wake of the Cold War, and to expand American power globally by means of military force. At the same time, the documentary argues that the Bush Administration has sold this radical and controversial plan for aggressive American military intervention by deliberately manipulating intelligence, political imagery, and the fears of the American people after 9/11. Narrated by Julian Bond, Hijacking Catastrophe features interviews with more than twenty prominent political observers, including Pentagon whistleblower Lt. Colonel Karen Kwiatkowski, who witnessed first-hand how the Bush Administration set up a sophisticated propaganda operation to link the anxieties generated by 9/11 to a pre-existing foreign policy agenda that included a preemptive war on Iraq. Joining Kwiatkowski in a wide-ranging, accessible, and ultimately empowering analysis of American foreign policy, media manipulation, and their global and domestic implications, are former Chief UN Weapons Inspector Scott Ritter, former Pentagon analyst Daniel Ellsberg, Nobel Peace Prize Laureate Jody Williams, author Norman Mailer, MIT professor Noam Chomsky, Code Pink founder Medea Benjamin, defense policy analyst William Hartung, author Chalmers Johnson, and Army Special Forces Master Sergeant Stan Goff (Ret.). At its core, the film places the deceptions of the Bush Administration within the larger frame of questions seldom posed in the mainstream: What, exactly, is the agenda that drove the administration's pre-war deceptions? How is 9/11 being used to sell this agenda? And what are the stakes for America, Americans, and the world if this agenda succeeds in being fully implemented during a second Bush term? INTERVIEWS INCLUDE Tariq Ali | Benjamin Barber | Medea Benjamin | Noam Chomsky | Kevin Danaher | Mark Danner | Shadia Drury | Michael Dyson | Daniel Ellsberg | Michael Franti | Stan Goff | William Hartung Robert Jensen | Chalmers Johnson | Jackson Katz | Michael T. Klare | Lt. Col. Karen Kwiatkowski (Ret.) | Norman Mailer | Zia Mian | Mark Crispin Miller | Scott Ritter | Vandana Shiva | Norman Solomon | Greg Speeter | Fernando Suarez del Solar | Immanuel Wallerstein | Jody Williams | Max Wolff Directed by Sut Jhally & Jeremy Earp Tags: MEF Iran Bush War Neocons Neoconservatives Iraq Empire Propaganda 9/11 WMD EFP oil media Rumsfeld Cheney

User: newrealm06

The Black Sorrows Live at FESTITALIA,Brisbane RNA Showgrounds 1/07/2007. Alessandro Sorbello http://www.AlessandroSorbello.com Filmed and produced Jo Camilleri and the Black Sorrows http://www.theblacksorrows.com.au/ performance of 'The Chosen One' Filmed with Camcorder so the audio is not great, however a great track by the Black Sorrows. A real joy to see it live. The Black Sorrows opening act was TRIM http://www.trim.com - direct from Rome Italy, Australian 'uncut tour'. http://www.youtube.com/watch?v=DEhO9ZB2aQs Joe Camilleri's http://www.joecamilleri.com.au/ Jo Jo Zep and the Falcons were pioneers of the Oz rock scene delivering a a ska and blue beat influence previously unseen in Aussie rock... Speaking of the induction to ARIA Hall of Fame Camilleri offered: "After all is said and done, it's a good thing to celebrate, and a nice thing to recognize, the fact that 30 years ago a band which was true to itself helped shape the distinctly Australian music culture we all love today". Beginning as a loose Melbourne pick-up band playing mostly covers of R&B, zydeco and blues songs, The Black Sorrows eventually evolved into a unit that scored several top 40 Australian hits with original material. In the beginning, though, The Black Sorrows were simply a way for singer Joe Camilleri to play some fun, low-pressure gigs after the dissolution of Jo Jo Zep & The Falcons. From 1983-1988, Camilleri adopted the psuedonym 'Joey Vincent' for his performances with the band. Membership in the band has always been loose and fluid. Most of The Falcons were (at one point or another) members of The Black Sorrows; several dozen other Australian vocalists and musicians have drifted in and out of the line-up over the years, with Camilleri being the only constant. The early line-up (c. 1983/84) included 'Joey Vincent' (i.e. Camilleri) on vocals and sax, Paul Williamson (sax/clarinet), Jeff Burstin (guitar), Wayne Burt (guitar), Wayne Duncan (bass), Gary Young (drums), George Butrumlis (accordion, piano) and Steve McTaggart (violin). Camilleri, Burstin, Burt and Young had all been members of Jo Jo Zep and the Falcons. The Black Sorrows first two albums were recorded live off-the-floor, and consisted almost entirely of R&B cover songs by the likes of Chuck Berry, Fats Domino, Arthur Alexander, Don Covay and John Lee Hooker. 1986-1993 By the time of their first top 20 album, 1986's Dear Children, the Black Sorrows were playing original material and the official line up was Camilleri, Burstin, Nick Smith (lyrics/backing vocals), Johnny Charles (bass) and Peter Luscombe (drums). However, 15 musicians actually played on the Dear Children album, including Butrumlis. For 1987's Hold On To Me, Smith left -- though he continued writing lyrics for Black Sorrows songs for the following two decades. Returning to the official line-up was one-time Falcons guitarist Wayne Burt. Other changes were also made: Charles was replaced by Mick Girasole on bass (Girasole had actually played on several Dear Children tracks), and backing vocalists Vika and Linda Bull were added. The Bull Sisters readily identifible singing style became a big part of The Black Sorrows' sound, and Hold On To Me spawned 3 top 40 hits in Australia ('Hold On To Me', 'Chained To The Wheel' and 'The Crack-Up'). For 1990's Harley & Rose, Jen Anderson was added on violin, and Richard Sega replaced Girasole on bass. Beginning in the early 1990s, Camilleri also fronted The Revelators (originally The Delta Revelators). This band's line-up was practically identical to The Black Sorrows, the only real difference being that The Revelators returned to the early Sorrows roots of playing largely R&B-oriented cover songs. The Revelators released their first album in 1991. Burt left the band again prior to the Black Sorrows 1992 album Better Times, and yet another new bassist was added in the person of Stephen Hadley, replacing Sega. Also added to the line-up were keyboard player James Black and percussionist Michael Barker. Finally, Laurie Polec took over as the band's primarily lyricist, although Nick Smith would still contribute to this and future Black Sorrows releases. After a further 1993 single from this line-up (a cover of Bob Marley's "Stir It Up"), Camilleri dissolved the band and set about creating a new version of The Black Sorrows. 1994-present Camilleri retained only Hadley from the previous line-up for 1994's Lucky Charm. This album was recorded in New York, and although Camilleri was the only musician to be featured on every track, most of the album featured a band consisting of Camilleri (vocals, sax), Hadley (bass), Claude Carranza (guitar), Kerryn Tolhurst (guitar, mandolin, keyboards), Andy York (guitars) and Steve Ferrone (drums). Lyrics for the album's songs were by James Griffin, Nick Smith and Laurie Polic. 1998's Beat Club featured a similarly loose policy towards maintaining an official lineup, with Camilleri being joined by Stephen Hadley, Wayne Burt, Jeff Burstin, James Black and many session musicians. Somewhat more jazz-oriented in tone than previous Black Sorrows releases, the lead single "New Craze" was nominated for a 1998 ARIA award for most played jazz composition in Australia. After a long period of inactivity, The Black Sorrows released an acoustic album in 2004. This line-up included Camilleri and Hadley, returning band members Jeff Burstin and James Black, and new drummer Tony Floyd. The band's most recent album is Roarin Town, released in October 2006. For this release, The Black Sorrows were Camilleri, Hadley, Black, Floyd, and the returning Carranza. Carranza had also played with Camilleri in yet another side-project band, Bakelite Radio, which released two albums in 2003/04. The Black Sorrows are currently on tour as a seven-piece band consisting of Joe Camilleri (lead vocals, sax), James Black (keyboards), Joe Creighton (backing vocals), Claude Carranza (guitar), Tony Floyd (drums), Annette Roche (backing vocals), and Troy McMillan (bass). Tags: The Falcons Festitalia Camilleri chose one jo camilleri

User: talkingsticktv

The Sorrows of Empire - Chalmers Johnson Segment of interview with Chalmers Johnson author of "The Sorrows of Empire: Militarism, Secrecy and the End of the Republic" Tags: empire republic military militarism war anti-war

User: coffeysouthernman

Trading My Sorrows -Darrell Evans Coffey singing "Trading My Sorrows" at home on his Taylor guitar. God bless and have the best day! Tags: praise and worship leader chris tomlin hillsong united micheal w. smith coffey anderson

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